Showing posts with label Naga. Show all posts
Showing posts with label Naga. Show all posts

2.28.2011

Secrecy within the Sun temple, Konark

Konark, well known as the black Pagoda strangely captures the mind for only its association with being the chariot temple to Lord Surya. With every stone falling apart, with every piece of evidence hitting the dust, the secret mystical world of Konark is fast disappearing. 


Taking a closer look at this gorgeous structure echoes a lot more than the iconography of Surya. Its sheer size makes the experience all the more overwhelming. Konark presents a grand entrance, against the cloudy sky and wet floor, history slowly unfolds. As we rise towards each step of this mysterious world the power of the ancients welcomes us with much song and dance as each kanya dances her way into our world. With drums and musical instruments, they gracefully dance into existence.

The sheer structure of Konark is mammoth, but what’s even more intriguing is the depth of philosophy into its architecture buried in every stone. It not just covers the ancient Surya cult but also has traces of the roots of deep Tantricism as well as Naga cult in its form. Buried in the rocks that build up the platform of the temple are scenes from life in Orissa as it was among the nobles, and the people with royal screens scattered across the walls. Inter-spaced with this world is the stark presence of the netherworld where the Nagas ruled. Naga lords endowed with the 7 hooded serpent are inter-spaced with nobles and maithuna couples all across the platform. These worlds of manushas and the Nagas are occasionally broken by the great Konark wheels that draw the great chariot of Lord Surya.

The presence of the Naga cult draws our attention to this strange world which is otherwise not as obvious on the sculptural panels of other temples around India. Could these snake hooded mystical beings belong to the netherworld of the Nagas or is it representations of Rahu and Ketu of the Navagraha pantheon of stars associated with Surya?


The mystery gets even deeper as we walk onto the main platform of the temple and are faced with explicit poses of maithuna visually describing the Kamasutra. It amazes me that while the maithuna depictions of Konark are yelling, yet the erotic sculptures of Khajuraho seem to grab the delight of the average tourist when they can hardly be found on the walls.

These sculptural panels depict the deep philosophy of Vama Marga embedded in them of the Tantrik origin. They bear their roots in the Panchamakara ritual of the ancient left path. referred to as the 5Ms of this esoteric ritual, maithuna is one of 5 parts to the ritual where all the gross elements of existence and channelized to a higher spiritual existence. These loud echoes of the esoteric cult practices of Orissa, which belonged to the silent mystical worlds of the Tantriks and Nagas have been profusely depicted on the walls of the temple associated with the Sun God, the epitome of brilliance and divine light. In a strange way, this contradiction to approach life, this dualism in the belief systems with every school following its own path lends itself to our minds to realize just how vast this spiritual ocean is and how difficult it would be to cross it.

Truly this is a contradiction in the mind as much as it’s depicted in mammoth canvases of stone.

1.16.2008

Lakulisa - Founder of Pasupata Shaivism

On the road to Champaner, Guijarat: Lakulisa Temple

At the foothills of the great Kalikadevi temple at Pavagadh Gujarat, there is a sprawling peaceful lake dotted with temples displaying the splendor of rural Gujarat. On the way to Champaner this picturesque landscape produces one of the finest architectures both Islamic and Hindu.

Driving down during the monsoon time can indeed change the mood of the land such that it almost feels like divinity descended on earth in a chariot of mist. And here among rocky hillsides strewn with huge boulders lie one of India's most ancient temples now in ruins - Lakulisa temple. This temple dates back to the 10th century though the cult of Lakulisa existed well into the 1 cen.A.D and has been mentioned the Mahabharata. This delapidated temple holds the iconography of Lord Shiva thought it houses Lakulisa within its walls. Among its very rare and fine sculptures one can see Dakshinamurthy Shiva, Ganesha and Gajantaka Shiva. Most of the upper half of the temple has fallen off and merged with the surrounding boulders leaving standing walls with intricate sculptures to show the original spendor of this great cult icon.

Lakulisa was the founder of Pashupata Shaivism which was one of the oldest and prominent Shaivite schools that existed in the early 1 cen A.D, though dating it is still uncertain. Lakulisa's school of Pashupata Shaivism originated at Kayavarohan in Gujarat and extended to Payar in Kashmir and Orissa in the east. It later spread far and wide and penetrated into Tamil Nadu in the 7th to 14th cen A.D.

Lakulisa's images are found all over India indicating that his cult was very well established. The Pashupatas were ascetics
and were followers of the Bhakti movement. Lakulisa was almost considered an incarnate of Lord Shiva during his time. He is represented as a saint, teacher, yogi, and a man of divinity, very similar to the Buddha when it came to depiction in scupture. His teachings are codified in the Lakulisa Siddhanta, while in his images he is represented in Dharmachakrapravartana mudra with a Lakuta (stick) in one arm. His main desciples were Kausika, Gargya, Mitraka and Rusta.

Among may such temples and images, Lakulisa can be found in person in the ruined Bhairava temple on the banks of the Gangua river near Bhubaneswar where he is depicted as a four armed Lakulisa with the Jatamukuta and snake, very similar in appearance to Shiva Dakshinamurthy. Alternatively he is also found in the Orissa State Museum at Bhubaneswar.
What was this cult all about? Kaundinya in one of his commentaries on the Pashupata Sutras says that Lord Shiva taking the form of a Brahman as an incarnate at Kayavatarana, went on foot to ujjain and taught his doctrine to Bhagavat Kushika. The Pashupata doctrine was revealed by Lakulisa, the last of the 28 incarnations of Shiva. The worship of Shiva included strange practices which involved bathing in sand and holy ash thrice a day and living in isolation. I would suspect its quite close to our current day Nagas. What ever their practices and whether it conformed to the society at large, this once popular cult lost its dynamic presence and ceased to exist till today in its original known form.

What remains is a ruined temple dedicated to the last incarnate of Lord Shiva - Lakulisa, along the road to Champaner.

References: Religious Beliefs and Practices of North India During the Early Mediaeval by Vibhuti Bhushan Mishra

4.09.2007

A snake hooded flower - Nagalinga flower



















Click the photo to see larger view

Nature has its ways of bringing the Lord to us. Simple forms that bloom into flowers and seem to depict one of the most sacred forms known to us. The "Nagalingapoo" or Naga Linga flower is one such flower that brings the beauty of the Lord right before us.

They say the beauty of the Lord lies within a lotus, a thousand petaled lotus. Blooming out, holding the Linga within itself, sheltered deep inside housed by the flower that seems to cover it like a serpent, a multi hooded serpent.

Glowing with beauty
a flower speaks out
in the middle of the forest
God's own creation

Small wonders blooming around
singing away in the sunlight
a creation so unique
passes away unnoticed

A gigantic tree
with deeper roots
holding out delicate flowers
for the world to see

Behold this beauty
shining pink
within a pond of fragrance
filling the air

Joyous birds chirp
amidst her branches
holding out in full bloom
telling the world

The Lord appears
in various forms
some so simple
just don't look beyond

The Lord resides
in the hearts of all
displaying His beauty
through a simple flower!

The serpent king guards
in graceful curve
the very Lord Himself
Enclosed in a universal whole

Five petals hold
Love for the Lord
potent seeds with divine sound
Forever singing His praise.



















Photo courtesy for the first picture: Yan Manarsar (yan)